Hello everyone! A couple of weeks ago I posted about some tiny salt pots that I had made and today I am going to show you two bigger ones.
They are both about 80cm long and I’ve hung them up on the wall so that you can get an idea of their scale. This little corner of the conservatory has become my working spot in the last few weeks, and sometimes I think I might take root in the chair. At the moment I feel uncomfortable spending a lot of time in the studio and so I have been bringing materials back to the house to work on here.
These pieces originated from asking myself the simple question, ‘how would it be to make some big salt pots’? Their final form comes from the technical problems encountered in trying to salt them. Normally I turn the pots upside down, put them in a shallow bath of salt water and wait for them to do their stuff. But the length and unstable nature of the pulled thread work means that I couldn’t use this technique here as they would droop and topple over.
In the past I have filled bags with salt, soaked them in water and waited for them to dry and form crystals. So I considered putting loose salt in the bottom of the container, soaking and drying. But this would mean the salt might fall out and be messy if moved and I didn’t want that. The solution was to make a separate little bag filled with salt, a salt bag, (a bit like a sand bag), soak it until it was thoroughly saturated and then put it in the foot of the bag whilst still dripping wet. The salt has had to soak through two layers of cloth so the salting is subtle with a slight, weathered encrustation. I am really pleased with it. The salt bag also gives the work a bit of weight.
I waxed the solid part at the top of the pot so that it would hold its shape.
They look great in the evening when the light is switched on as they cast shadows on the wall. The blue is cast light from the lampshade.
And it this casting of shadows that has started me off thinking about other ways that I could use shadows in my work.