Tag Archives: plaster

Step by step

I am progressing slowly and steadily with my new project based on my experience of the landscape of north Iceland and found objects from the beaches there.

P1000237

Introducing a new material to my practice has been fun and continues to be challenging. I have always enjoyed working with 3-d objects and I am relishing finding out how to control and use plaster. I’ve always loved tools and in order to carve and manipulate plaster I’ve had to turn to instruments that I haven’t used before: a vice, chisels, hammers, surforms, a Dremel and files, rasps and rifflers.

I’m obviously still in the very early stages of understanding what I can make this material do and so far I have tried making reliefs,

IMG_3215Relief of an oyster shell with boring sponge marks

flat-bottomed casts with moulds made from clay,

P1000205Casts of  Norfolk flints inspired by an Icelandic whale’s tooth

P1000226Flat-bottomed cast of a flint that has been drilled out

and now I’ve started to make blocks of plaster to carve and form into fully 3-d shapes.

IMG_3205Plaster block with (crude) chisel marks

P1000230Carving of a bone

These are all small-scale pieces and my aim has been to reproduce, as accurately as possible, some of my found objects. I think that if I am able to learn the skills required to represent each object precisely then, at a later date, I will be able to go ‘off piste’ and take my ideas beyond the purely representational. However, at the moment I’m still learning about what can be achieved.

P1000208Carving of a flint

I like this stage of a project. Although I have an idea of what I want to do this is only the catalyst to get me started – an original idea that kicks off the making process and enables ideas to flow so that the work takes on a life of its own.

IMG_3212Carving of a volcanic pebble, painted with oil paint

In my experience brilliant ideas don’t materialise spontaneously. Instead they occur only when you devote time and thought to the making process. I start by making something simple that then leads to something else and something else and I find that one idea leads to another, that leads to another, that leads to yet another. As the project progresses a growing awareness and understanding develops and takes the mind along a path that could never have been predetermined.  The connections made along the way will hopefully culminate in something exciting and new.

P1000239_edited-1My work table today

I’m still at the ‘making something simple’ stage, but it is fun and absorbing. Already I’m making connections and having new ideas and with any luck these first steps will lead me forwards.

 

 

 

 

 

 

 

Advertisements

Thinking/making

My Iceland collection has expanded and this is what my work table looks like at the moment. I have made some more plaster reliefs, but you will also see that other found objects have crept in.

P1000099

Flints and oyster shells with holes made from boring sponges collected on the the beach here in Wells have been included in the collection as I start to make connections between the objects found in Iceland and more familiar objects found here on the beach at home. The shape and texture of the Icelandic bone fragments bear more than a passing resemblance to the pieces of broken flint and likewise the small Icelandic volcanic pebbles relate directly to the holed shells.

P1000102

I make some more plaster reliefs, this time of flints, and as a direct representation they work very well. However, I want something that is more open to interpretation …. something that has been created out of my own imagination and that is able to blur the boundaries between the bone/flint and shell/pebble samples.

P1000120

P1000125

In an attempt to better understand the shape and form of the flints and bones I draw them and in doing so I realise that the reliefs don’t do what I want them to do; their bases are too square and uniform, and the pressed forms are incomplete. I want a full 3-d form. So I try something else and enclose a flint protrusion in clay and fill the resulting indentation with plaster.

P1000108

This small fragment (it’s about 5cm high) could be either bone or stone.

P1000140

I make some more ambiguous fragments and feel as if they are closer to, but not exactly what I am aiming for. I think it was the producer John Read who said, ‘Art is the expression of the imagination not the imitation of real life’. I am not trying to imitate or to recreate but to make something new and to create new connections. My thinking and making continues!