Tag Archives: Moments of Being

Staying ever curious

P1030781Small watercolour, 20 x 20 cm

I’m sitting in the gallery for another days stewarding, spending my time making some new work and chatting to visitors. I thought I would reproduce the introduction to the exhibition that Mary Blue Brady has written. Mary has identified, and written, about the concept behind the exhibition so succinctly that I thought you might like to read it for yourselves.

‘Moments of Being.

The title for this exhibition is taken from a collection of autobiographical essays by British modernist author Virginia Woolf. The collection was first found in the papers of her husband, used by Quentin Bell in his biography of Virginia Woolf, published in 1972.

Virginia Woof was a pioneer in the use of stream of consciousness and this exhibition celebrates the heightened state of consciousness experienced when one feels most alive. Both Caroline Fisher’s porcelain landscapes and Debbie Lyddon’s mixed media cloths share common ground in commemorating moments of focus felt by the artists when visiting the North Norfolk coast.

Both artists have inventive approaches to their chosen materials and employ them to create a sense of wonder and impart an atmospheric response, drawing attention to a moon rise, a flash of water, or the rustling of halyards on boats, for example. In short, these artists raise our awareness of what surrounds us.

Caroline and Debbie’s work also prompts us to remember the preciousness of time, to savour each moment and to tune into individual occasions through deeper observation. For us mere mortals, it is imperative not just to look down at our feet, but also to gaze up at the stars, staying ever curious and open to the wonder of the world.’

Moments of Being at Wells Maltings

IMG_0170Sluice Creek Cloth: Moon Rise

The exhibition has been up for a week now and it is such a thrill to be showing Moments of Being in the place that inspired it. Visitors can walk a few steps up from the reality of the marshes and the quay to the Handa Gallery at the Wells Maltings and see my work that is an evocation of the same place. I am delighted that people have understood the connections that I have been trying to make between the way we sense this coastal environment: its imagery, sounds and materials, and the processes of change that take place here on a daily basis. Many of the visitors know this coast as well as I do and have been able to relate the work to the environment.

I am sharing the exhibition with Caroline Fisher and her ceramics sit so well next to my cloth pieces. You can see some of the cobalt glazed bowls in one of the photos

Here are a few gallery shots.

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IMG_01753 Marshscape Collages

IMG_0182Salt Works

The exhibition is on daily until 6 April from 11am – 4pm, free entry. I will be in the gallery every day except 21 March and 6 April.

 

The Sluice Creek Cloths

There is only a week to go before the Knitting & Stitching show! Nearly everything is packed up in copious amounts of bubblewrap and I am running around deciding on slightly strange things like how to transport 2 buckets of dry sand without it spilling out everywhere. Today I’ll give you a bit of information about the main part of the Moments of Being body of work – The Sluice Creek Cloths.

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Sluice Creek is a tidal inlet just off the main channel at Wells-next-the-Sea. It runs north/south and narrows to the north in a labyrinth of seemingly endless inlets and creeks. It is a quiet place but at the same time it teems with life and movement – there is always something new and interesting to see and experience.

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The Sluice Creek Cloths are inspired by the memory of encounters with physical processes that I have encountered whilst out walking or sailing: the sun moving over the marsh and creating shadows, the clink of halyards knocking against masts, the shape of a bend in the creek or the way saltwater marks my clothes.

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I have invested a huge amount of time and effort in these cloths and they have taken me about 18 months to make. There are seven cloths in the series. Each one is made from linen and hangs double over a shiny, varnished pole. The mark I have chosen to use as my personal notation for this body of work is the hole. It is a space – an immaterial emptiness that is surrounded by a physical material that describes its shape and allows us to see a nothing. The holes I have sewn into the linen of The Sluice Creek Cloths are edged with thread-bound iron wire. These evoke the small metal eyelets and fastenings that are in tarpaulins, boat covers and sails found in a coastal environment. Each cloth has been dipped in the sea several times to rust the eyelets and to mark the cloth.
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The information I have written over the past three posts has come from a book that I have designed and self-published to accompany the Moments of Being exhibition. It is a 20 x 20cms, soft-covered book with 60 pages. It includes text that describes my inspiration and way of working and has photographs that I have taken myself of the work and the environment that inspired it. It will be on sale at the show next week. It will also be on sale  after the show in my shop.
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Do come and say hello if you are there!