Category Archives: exhibiting

Staying ever curious

P1030781Small watercolour, 20 x 20 cm

I’m sitting in the gallery for another days stewarding, spending my time making some new work and chatting to visitors. I thought I would reproduce the introduction to the exhibition that Mary Blue Brady has written. Mary has identified, and written, about the concept behind the exhibition so succinctly that I thought you might like to read it for yourselves.

‘Moments of Being.

The title for this exhibition is taken from a collection of autobiographical essays by British modernist author Virginia Woolf. The collection was first found in the papers of her husband, used by Quentin Bell in his biography of Virginia Woolf, published in 1972.

Virginia Woof was a pioneer in the use of stream of consciousness and this exhibition celebrates the heightened state of consciousness experienced when one feels most alive. Both Caroline Fisher’s porcelain landscapes and Debbie Lyddon’s mixed media cloths share common ground in commemorating moments of focus felt by the artists when visiting the North Norfolk coast.

Both artists have inventive approaches to their chosen materials and employ them to create a sense of wonder and impart an atmospheric response, drawing attention to a moon rise, a flash of water, or the rustling of halyards on boats, for example. In short, these artists raise our awareness of what surrounds us.

Caroline and Debbie’s work also prompts us to remember the preciousness of time, to savour each moment and to tune into individual occasions through deeper observation. For us mere mortals, it is imperative not just to look down at our feet, but also to gaze up at the stars, staying ever curious and open to the wonder of the world.’

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Moments of Being at Wells Maltings

IMG_0170Sluice Creek Cloth: Moon Rise

The exhibition has been up for a week now and it is such a thrill to be showing Moments of Being in the place that inspired it. Visitors can walk a few steps up from the reality of the marshes and the quay to the Handa Gallery at the Wells Maltings and see my work that is an evocation of the same place. I am delighted that people have understood the connections that I have been trying to make between the way we sense this coastal environment: its imagery, sounds and materials, and the processes of change that take place here on a daily basis. Many of the visitors know this coast as well as I do and have been able to relate the work to the environment.

I am sharing the exhibition with Caroline Fisher and her ceramics sit so well next to my cloth pieces. You can see some of the cobalt glazed bowls in one of the photos

Here are a few gallery shots.

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IMG_01753 Marshscape Collages

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The exhibition is on daily until 6 April from 11am – 4pm, free entry. I will be in the gallery every day except 21 March and 6 April.

 

Exhibition

At very short notice, I have been given the opportunity to show my Moments of Being work here in Wells-next-the-Sea. I am absolutely delighted about this as this is the place that inspired the whole body of work and it will be the first time that it has been shown here.

Moments of Being is inspired by a series of vividly remembered encounters and engagements with the marshes and beach here in Wells and each work notates the memory of a commonplace event or observation: the sun moving over the marsh and creating shadows, the clink of halyards knocking against masts, the shape of a bend in the creek, or the way saltwater marks my clothes. These are not unusual experiences, but are personal and intensely remembered moments.

I will be showing The Sluice Creek Cloths which are large wall hung cloth pieces….

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several new Marshscape Collages….

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some Salt Works….

Debbie Lyddon Liminal Objects - Wrack

and some new small Watercolours

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I will be in the gallery almost everyday and  will be setting up a mini studio in a corner. There will be sketchbooks to look at and I will be drawing, painting and making work for the duration of the exhibition.

Moments of Being is on from 14 March – 6 April 2019 at Handa Gallery, Wells Maltings, Staithe Street, Wells-next-the-Sea, Norfolk NR23 1AU

 

 

 

 

 

For one day only (again)

Viv and Kev at ArtVanGo have asked me to come and be one of the artist’s in residence again at the Knitting & Stitching show in Harrogate. Because I had such a lovely time at Ally Pally and, because I have to be in Harrogate to do my stint on the Studio 21 ‘Colour Notes’ stand, I have said yes!

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I will be on the Artist’s in residence stand all day on Saturday 24 November.

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I am going to be exploring ways of using the pigments that I have gathered from the environment – red clay, yellow ochre, chalk and sea coal – and I will be making paint. I will be processing the pigments in order to make watercolour paint, acrylic paint and a type of printing ink. I will then be painting and printing with them on paper and cloth (that’s the plan at least).

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These drawings use synthetic colours, but the yellow/orange colour is yellow ochre that I have collected from the cliffs at West Runton. It has been roughly ground so that the silica grains are still quite coarse and mixed with a binder so that it stays on the paper.

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I love the way the fine pigment and the silica separate out as the water and paint runs through it. It is much like the way sea or rain water would create runnels through the earth outside in the natural environment.

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These small drawings will be for sale in Harrogate …..

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and during the day I will be making some big ones as well.

Ctrl/Shift

The new 62 Group exhibition opens in 10 days time and I am delighted to have had work selected for it. The work that I submitted for the exhibition is the culmination of all the research and experimentation that I have done on collecting pigments from the local landscape and using it to colour cloth.

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P1020399_edited-1Ground Cloth: Chalk, Linen, wire, hand-collected and hand-ground chalk, linseed oil, beeswax, sea-water, found threads, 120 x 197 cm

I have called the three cloths in the exhibition Ground Cloths – a play on the word ground: to grind up a material and the place from which the material emanates. The materials I have collected, hand-ground and used in the work are chalk from both Hunstanton and West Runton, yellow ochre from West Runton and sea coal collected from Wells beach.

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P1020421_edited-1Ground Cloth: Seacoal, Linen, wire, hand-collected and hand-ground seacoal, linseed oil, beeswax, sea-water, found threads, 75 x 279 cm

The brief for Ctrl/Shift was to consider shifts and changes in our practice and to produce work that had moved on or transformed in some way. The Ground Cloths introduce new materials and processes to my practice and I have spent a considerable amount of time researching, exploring and experimenting with the hand-collected materials to make this work.

P1020405Ground Cloth: Yellow Ochre, Linen, wire, hand-collected and hand-ground yellow ochre, linseed oil, beeswax, sea-water, found threads, 106 x 190 cm

Some aspects of my practice have, however, remained and the form of the work takes inspiration from the sails and tarpaulins that are found everywhere here on the coast. The cloths could be considered to be large ‘fragments’ of a sail and the dangling threads take inspiration from reef points that are used to shorten and secure a sail in heavy winds.

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Traditionally, sailors and fishermen would protect sails, ropes and nets by ‘dressing’ them with a mixture of linseed oil, wax and red ochre to give protection from the elements and I have also experimented with, and subtly altered, the traditional techniques of waterproofing and preserving cloth by substituting red ochre with locally-collected materials – chalk, sea-coal and yellow ochre – to produce a blend that both protects and preserves the Ground Cloths and links the materiality of the environment (the actual matter that landscape is made up of) with the utilitarian use of cloth in a coastal location.

The Ctrl/Shift Private view is on Saturday 21 July at the MAC and I have attached an invitation, with details, as you are all welcome to come and celebrate the opening with us and to meet some of the artists.

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Soundwalking

Yesterday I went along to St. Margaret’s church, Cley-next-the-Sea to deliver and place my work for the Cley 18 exhibition.

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The brief for this year’s exhibition, curated by Dr Caroline Fisher, is a quote from W.G. Sebald’s The Rings of Saturn,‘The greater the distance the clearer the view’. The Rings of Saturn describes a summer journey up the Suffolk coast where the narrator tells apparently disconnected stories of people and place. The exhibition quote is taken from the part where Sebald talks about the writing of Thomas Browne, ‘the great Norwich physician and writer of the 17th century. It encapsulates the idea that something seen from far away can resolve itself to become clearer than something seen close up or that a long journey can allow us the greatest perspective on a subject. It implies either distance or time between the object and the viewer’.

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Reading the brief, I knew immediately that I wanted to make a new soundwalk drawing that explored the connection between the visual and aural landscapes of the North Norfolk coast and that it would be a sensory response to my experience of the physicality of the environment; a drawing that placed the emphasis on sound to create an evocation of the passing of time and place and to give a clearer and more focussed interpretation of our multi-sensory world.

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Inspired by the architect Juhani Pallasma who says that, ‘Hearing structures and articulates the experience and understanding of space. We are not normally aware of the significance of hearing in spatial experience, although sound often provides the temporal continuum in which visual impressions are embedded’, my drawing is a visual journey through time that connects elements contained within both the aural and visual landscape: movement, rhythm, repetition, line, intensity and silence

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The form of the drawing is one that I have used before and is based on musical graphic scores – a method of writing down sound through drawing rather than musical notation. It is inspired by the sounds I hear as I walk and explore the Norfolk coastline: birdsong, the wind, waves, and footsteps.

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The drawing is called Marsh Soundwalk and it is 1000 x 20.5 cm. It is a watercolour drawing painted on one long piece of paper that I have folded into a concertina book. I have made hand-bound covers for it.

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You can see Marsh Soundwalk at Cley18,  St Margaret’s Church, Holt Road, Cley, NR25 7TT from 5 July – 5 Aug 2018. The church is open from 10am – 5.30pm daily and there is no charge. There is work by other artists on display at the Norfolk Wildlife Centre and on the beach at Cley and workshops and events are also taking place as part of the exhibition.