Category Archives: documenting

Swallows

I’ve just spent a lazy hour sitting in the shade at the studio looking at what was going on and watching the swallows swoop and dive around me.

These small, elegant black and white birds arrived about three weeks ago, (or maybe a bit longer – I can’t remember exactly)  and they will be here now for the rest of the summer.

Swallows feed on the wing and their flight patterns are mesmerising as they hunt for insects. So of course I grabbed a pencil and started to draw – flight path, over flight path, following their movements with my eyes.

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Another page and the side of a graphite stick varied the marks,

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and on further page a few more jottings.

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The words read:

Swallows fly past

Now high

Now low

A glide and then a short flap of wings.

Rise higher and another glide.

A sudden, flutter and turn, flutter and turn – switchback

Falling – wings back – they chirrup.

From the left a straight, confident path,

swift and low

to rest on the far bank.

 

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I have used the swooping shapes of a swallow’s flight in my work before but it is always a pleasure to have another look.

Finally, on another note, you may be interested to know that I am giving an online workshop for TextileArtist.org as part of their new TextileArtist.org Stitch Club. The workshop starts next week and in it I talk about how objects can tell a story and take you through the processes I use for making small containers for some objects that you have chosen yourself. I think the last day for registration is tomorrow!

Cutting and sticking

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Yesterday I spent a very happy afternoon sifting through a huge pile of discarded watercolours to see if there was anything in them that could be of use.  I have a box in the studio where I throw ‘stuff’ that doesn’t quite work – little drawings (and big ones as well), stitched pieces, maquettes …… I have been meaning to go through the drawings/watercolours in particular for months.

The rejected drawings were all shapes and sizes and had come from several different projects. Some had been folded up in disgust and others not. The intention was to crop out the interesting bits and glue them into sketchbooks so that they would become a readily available resource for possible new work (most probably stitched cloth collages).

These bits came from a series of long drawings that had been folded to form concertina books. I simply cut out the bits I liked.

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Other bits were whole drawings (quite small) that although they had been discarded I still thought had something interesting about them. So I stuck the whole thing in.

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And some I collaged together or extended to make something new altogether.

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And then there was a whole slew of bits, mainly from quite large, boring drawings, that nevertheless had interesting marks or shapes that gave the possibility of being reinterpreted in cloth and stitch. So first I selected, and then cut out those sections and stuck them in.

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I love watercolour; it is such a fluid and spontaneous medium. The drawings are wonderful in their own right but can also be a source of inspiration when they don’t quite turn out the way you hoped and now I have two sketchbooks full of ideas ……. a good afternoons work!

Sea Dipping

I’ve been a bit quiet recently but the walking, noticing and making has been continuing everyday.

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This morning I spent three hours sewing iron wire eyelets into a cloth and by the afternoon it was ready to take down to the beach and dip into the sea to rust the wire and mark the cloth. Recently I haven’t been taking my camera or sketchbook out with me (I do like to walk unencumbered by stuff) but today I remembered to take a camera to record my activities.

Last night I was woken by a howling wind and this morning it seemed to have quietened down, however on the beach the wind was very much in evidence. It was whipping the sand across the beach and the waves were blown up by its north westerly direction. It was just after high tide.

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With a calm, flat sea dipping a cloth can, sometimes, be a gentle activity.  However today, with waves forced further up the beach than normal  it was a bit more frenetic and I had to move quickly to dodge the incoming water. I ended up with wet feet and trousers.

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I can be a bit risky with this type of sea as the power and the movement of the waves can take the cloth out of reach.

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But it got washed back up the beach and the cloth is now hanging in the studio to dry out. It’s quite cold in there at this time of year so it will be a slow drying time which will give the wire plenty of time to rust.

Whelkshed workshops 2020

Come and spend creative time with me at my studio and be inspired by the ever-changing coastal landscape of Wells-next-the-Sea, Norfolk.

I have put the dates for three new studio workshops into my diary for 2020

DATES OF COASTAL EXPLORATIONS WORKSHOP 2020

Tuesday 23 and Wednesday 24 June 2020

Saturday 27 and Sunday 28 June 2020

Wednesday 1 July and Thursday 2 July 2020

Student work Coastal Explorations Workshop 2019

About the Workshop

Be inspired by the ever-changing coastal landscape of Wells-next-the-Sea and take the time to observe, document and create in these beautiful surroundings.

Part of the Coastal Explorations workshop will be spent outside by the sea paying attention and recording observations with drawing, collecting objects and writing.

Back in the studio your collections will form a starting point for experiments with paper, cloth, stitch, mark-making, collage and printing to create a unique and personal record of your exploration of place.

Cost: £200

Includes basic materials and a simple lunch. Coffee and tea will be available all day with homemade cake.

There are 6 places available for each workshop.

To book please email me for availability on debbie@debbielyddon.co.uk

Booking is on a first come, first served basis.

About the Studio

Debbie’s studio is in Wells-next-the-Sea on the north Norfolk coast, a designated Area of Outstanding Natural Beauty that offers stunning views, wonderful wildlife and beautiful beaches, tidal creeks and salt marshes.

The studio is a former fisherman’s whelk shed and has an enviable position overlooking the sea and the salt marshes and is a stunning place to be inspired and to work creatively.

The studio is a large, fully-equipped working space (approx. 10 x 5 m), with water, electricity and a wood-burning stove for chillier days. NB. There is no toilet, but a ‘nice’ Portaloo will be available just outside on workshop days.

The view through the window is wonderful and looks over the water and the marshes.

My Studio

 

Teaching in Italy

How would you like to join me in Italy on an Exploring Place workshop? I have been invited to teach a 5-day course in October 2020 at the stunning 18th century Masseria della Zingara in Puglia, Italy.

The masseria at dawn

The masseria, sits in 20 tranquil acres of olive, cherry and almond groves and I’m very much looking forward to walking, exploring, noticing, documenting and making in this beautiful environment and sunny climate. I hope some of you would like to join me!

sketchbookSmall, handmade, coptic bound sketchbook

Each morning will start with a walk where the emphasis will be on paying attention and documenting our experiences in sketchbooks that we will make ourselves. Using all of our senses we will explore the contours of the landscape, objects, materials, and the effect that air, wind, light and sound have on the environment.

detail from soundmark bookSoundwalk concertina book

Back in the studio we will draw, and make and sew; feeling our way into the landscape and finding ways of documenting our own personal experience of this place. I expect to  experiment with new materials, found objects and natural phenomena such as shadows, light and the wind.

ropeObject made from found rope

The photos are examples of the type of things we will be doing. You can find more information about the workshop on the Committed to Cloth website and more information about the Masseria della Zingara here.

 

Fragment 8

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Baleshare.

Scudding clouds and sunny intervals.

Brisk wind.

 

A long, pooled shore,

scintillating in the sun.

Sea roar obliterates all other sounds.

 

On the strandline

the translucent remains of by-the-wind-sailors,

Velella Velella.

 

I wonder how far they have floated across the sea?

 

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Fragment 4

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West beach.

Drizzling rain has given way to dry, but dull cloud.

 

An ebbing tide has left lines of kelp along the top of the beach.

 

In the receding water more of the rubbery fronds

are pitched and flung by the waves.

Some escape to form another curving contour on the sand.

 

Folded and curled on themselves they scribe

their own story of time and process.

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