Category Archives: documenting

Whelkshed workshops 2020

Come and spend creative time with me at my studio and be inspired by the ever-changing coastal landscape of Wells-next-the-Sea, Norfolk.

I have put the dates for three new studio workshops into my diary for 2020

DATES OF COASTAL EXPLORATIONS WORKSHOP 2020

Tuesday 23 and Wednesday 24 June 2020

Saturday 27 and Sunday 28 June 2020

Wednesday 1 July and Thursday 2 July 2020

Student work Coastal Explorations Workshop 2019

About the Workshop

Be inspired by the ever-changing coastal landscape of Wells-next-the-Sea and take the time to observe, document and create in these beautiful surroundings.

Part of the Coastal Explorations workshop will be spent outside by the sea paying attention and recording observations with drawing, collecting objects and writing.

Back in the studio your collections will form a starting point for experiments with paper, cloth, stitch, mark-making, collage and printing to create a unique and personal record of your exploration of place.

Cost: £200

Includes basic materials and a simple lunch. Coffee and tea will be available all day with homemade cake.

There are 6 places available for each workshop.

To book please email me for availability on debbie@debbielyddon.co.uk

Booking is on a first come, first served basis.

About the Studio

Debbie’s studio is in Wells-next-the-Sea on the north Norfolk coast, a designated Area of Outstanding Natural Beauty that offers stunning views, wonderful wildlife and beautiful beaches, tidal creeks and salt marshes.

The studio is a former fisherman’s whelk shed and has an enviable position overlooking the sea and the salt marshes and is a stunning place to be inspired and to work creatively.

The studio is a large, fully-equipped working space (approx. 10 x 5 m), with water, electricity and a wood-burning stove for chillier days. NB. There is no toilet, but a ‘nice’ Portaloo will be available just outside on workshop days.

The view through the window is wonderful and looks over the water and the marshes.

My Studio

 

Teaching in Italy

How would you like to join me in Italy on an Exploring Place workshop? I have been invited to teach a 5-day course in October 2020 at the stunning 18th century Masseria della Zingara in Puglia, Italy.

The masseria at dawn

The masseria, sits in 20 tranquil acres of olive, cherry and almond groves and I’m very much looking forward to walking, exploring, noticing, documenting and making in this beautiful environment and sunny climate. I hope some of you would like to join me!

sketchbookSmall, handmade, coptic bound sketchbook

Each morning will start with a walk where the emphasis will be on paying attention and documenting our experiences in sketchbooks that we will make ourselves. Using all of our senses we will explore the contours of the landscape, objects, materials, and the effect that air, wind, light and sound have on the environment.

detail from soundmark bookSoundwalk concertina book

Back in the studio we will draw, and make and sew; feeling our way into the landscape and finding ways of documenting our own personal experience of this place. I expect to  experiment with new materials, found objects and natural phenomena such as shadows, light and the wind.

ropeObject made from found rope

The photos are examples of the type of things we will be doing. You can find more information about the workshop on the Committed to Cloth website and more information about the Masseria della Zingara here.

 

Fragment 8

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Baleshare.

Scudding clouds and sunny intervals.

Brisk wind.

 

A long, pooled shore,

scintillating in the sun.

Sea roar obliterates all other sounds.

 

On the strandline

the translucent remains of by-the-wind-sailors,

Velella Velella.

 

I wonder how far they have floated across the sea?

 

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Fragment 4

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West beach.

Drizzling rain has given way to dry, but dull cloud.

 

An ebbing tide has left lines of kelp along the top of the beach.

 

In the receding water more of the rubbery fronds

are pitched and flung by the waves.

Some escape to form another curving contour on the sand.

 

Folded and curled on themselves they scribe

their own story of time and process.

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