Category Archives: collecting

Sea sponges

The beach – Cley-next-the-Sea – this morning.

Nearly high tide – strong waves.

Cloudy sky with the suspicion of sun.

Wind coming from the west and is on my back.

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Ironically I was thinking about what I might write about next here on the blog. I am working on something at the moment but I’m not quite ready to reveal all yet! (but I do put work in progress photos on Instagram if you are interested). As I walk on this shingle beach I always keep a weather eye out for an interesting pebble, so my eyes were, naturally, looking just in front of my feet. Almost immediately I spotted a softly yellowed ball of sponge, and then another and another. Looking up I saw more and more of the yellow sponges scattered right along the high water line.

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They are the empty egg cases of the Common Whelk (Buccinum Undatum) and are routinely found all round the British coast. Their common name is Seawash Balls and in the past sailors would have used them as sponges for washing.

Whelks gather together to spawn and they lay their eggs in small lens-shaped pouches which are glued together in a spherical mass. Although each pouch contains about 1000 eggs only one or two eggs hatch as the unhatched eggs are used to feed the first hatchlings. Once the eggs have hatched (or been eaten) the empty mass floats away and is washed up on the beach.

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I pick a ball up. It is heavy. Normally when I find these sponges they are white and papery dry and so light that they dance up and down the beach, blown by the wind. This Seawash Ball is waterlogged – not dripping but dense with water. It looks fresher and less desiccated than ones I have seen before and I wonder if the power of the recent big tides could have dislodged a whole mass of eggs from their laying grounds and deposited them here on the beach?

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Walking on along the high water line I find more objects washed ashore by the unusually  big tides. Wood …..

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(I would have brought this bit home but it was too big and too heavy) and several rusty things ….

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This bit did come back with me.

I wasn’t expecting to find something to write about this morning but you just never know what you may encounter. There is always something new to be noticed and experienced – that’s what I love about this place.

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For one day only (again)

Viv and Kev at ArtVanGo have asked me to come and be one of the artist’s in residence again at the Knitting & Stitching show in Harrogate. Because I had such a lovely time at Ally Pally and, because I have to be in Harrogate to do my stint on the Studio 21 ‘Colour Notes’ stand, I have said yes!

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I will be on the Artist’s in residence stand all day on Saturday 24 November.

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I am going to be exploring ways of using the pigments that I have gathered from the environment – red clay, yellow ochre, chalk and sea coal – and I will be making paint. I will be processing the pigments in order to make watercolour paint, acrylic paint and a type of printing ink. I will then be painting and printing with them on paper and cloth (that’s the plan at least).

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These drawings use synthetic colours, but the yellow/orange colour is yellow ochre that I have collected from the cliffs at West Runton. It has been roughly ground so that the silica grains are still quite coarse and mixed with a binder so that it stays on the paper.

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I love the way the fine pigment and the silica separate out as the water and paint runs through it. It is much like the way sea or rain water would create runnels through the earth outside in the natural environment.

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These small drawings will be for sale in Harrogate …..

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and during the day I will be making some big ones as well.

For one day only

I’m very happy to have been invited by Viv and Kev at Art Van Go (stand TGF1) to be one of several Artists in Residence at this year’s Knitting & Stitching show at Ally Pally and I am going to be there this coming Saturday.

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The brief is to ‘examine options, explore ideas and work through processes’ and the idea is that each artist should work in their space as if it were their own studio. I am going to be bringing along some unfinished and unresolved works in progress. I am working through various new ideas at the moment and I intend to show how the concept of one of these ideas begins and how it could possibly unfold.

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The works are intended to be a small part of a much larger body of work that looks at the connections that can be made between the experience of different places. It looks at the encounter with new environments and how the experience of a new location is touched by similarities and associations to more familiar places in a never-ending, and possibly unconscious, triangulation of place, experience and memory.

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I am a great collector and just about every time I  go for a walk I will pick up pebbles, shells, wood, rope, fossils, seaweed and rusty detritus. These ‘evocative’ objects come from various locations and create associations to a particular place and can be seen as reminder, or a touchstone, of experiences and impressions that in turn feed the creative mind and the imagination. I am exploring how these objects could be included into these small works.

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On Saturday I will bring the inspiration for this work – drawings, found objects and things I have already made (including the work you see here). I will be experimenting  with colours collected from the landscape: chalk, yellow ochre, clay and sea coal and other materials to paint cloth and then when its dry, hopefully, I’ll be waxing and stitching it – I may even sew in an eyelet or two. At this moment nothing is set in stone ….. if you are there do come along and see what happens and to say hello.

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 I’ll report back next week with what I managed to achieve!

Finally, also at the Knitting and Stitching shows, I have two pieces of work in the Colour Notes exhibition by textile group Studio 21. The works tie in very neatly with what I will be doing with Artists in Action at Ally Pally as they are both coloured using ‘colours from the landscape’: chalk, yellow ochre and sea coal.

fullsizeoutput_d1f.jpeg copyGround Work: CoilLinen, wire, hand-collected and hand-ground chalk, hand-collected and hand-ground yellow clay, beeswax, sea water. Approx. 29 x 29 x 10 cm

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Ground Work: Fold, Linen, wire, hand-collected and hand-ground seacoal, sea water, beeswax, found threads. Approx. 35 x 40 x 10 cm

 

Iceland collection

Some of you who follow my Instagram page will have seen some of the objects that I collected on my recent trip to Iceland. I have been mulling these over for the past month and have been stumped as to how to use them. I’ve got as far as making a ‘tray’ for them, which I then stuck in the window to look at and ponder.

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These objects serve as a reminder of place (indeed I can remember exactly where and when I collected each one), and even out of context their place of origin remains embedded, for me, within them. I could of course just leave them as they are to serve as artworks in their own right and they look quite nice sitting there on the tray in the sunshine. But I believe that the hand of the artist is important and that any artworks that might be created in response to them will be a more powerful and dynamic response to place.

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So, what to do?

First I asked simple questions about this particular collection of objects. What are they? Where did they come from? How did they get there? How long have they been there? These objects (there are more!) were found across two beaches in the North of Iceland. They are remains: mainly bones, but also some interesting dried seaweed and something that may be a tooth. The bones are obviously old and have been in the sea for a long time before being washed up on the beach. On many of them their lacy interior is revealed. I don’t know what animal the bones come from, but they are small, so my guess is a sheep…. Iceland has a lot of sheep. The wing-shaped bones, I think, are the breast bones of a bird.

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The beach on which I found the bones is on a small island in the middle of a fjord, and it obviously serves as a ‘net’, or a catchall where the local conditions of tide and current deposit detritus from near, and possibly far away. The beach was simply littered with bones and other natural detritus. I have never before seen such a quantity of small, white, broken bones collected together in one place; limb fragments, tiny jaw bones and other bone splinters mingled with black volcanic pebbles to create a rather disquieting resting place for broken animal remains.

P1030703Plaster relief of a bone fragment

These sea-worn remnants look old and their colour and surface remind me of plaster reproductions of plants, fossils and other natural objects that I have seen in other collections and cabinets of curiosities. It’s good to start with a simple idea, so I have started to make straight reproductions of some of my gathered objects out plaster. These plaster reliefs are just one step away from the real thing, but I have already started to make aesthetic judgements about them and to put my own stamp onto how they could look.

P1030706Plaster relief of a bone fragment

I’m not used to working with plaster and I’m enjoying the process of finding out what it will do – I’m amazed at the detail that it is able to pick up. Already I have ideas. Once I start playing and exploring I hope that it will be a short step to a less literal interpretation of these reminders of place.

P1030689Plaster relief of a bone fragment

PS. As you can see the new studio is starting to look more busy. Things are still in disarray and I need to get everything off the floor because of the possible flood risk, but I am very much enjoying the space and slowly getting to know what I need to make this a working studio and where it should all go.

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Sea shells

After a mad three months of almost constant teaching, making and exhibiting I made it up to Wells last night for a bit of a breather. The first thing I did this morning was to do my favourite walk at Burnham Overy Staithe.

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The clocks have jumped forward for spring and the sun has welcomed the time change. Walking north, out to the beach, the sun was on my back and for the first time this year I could feel its warmth. It’s hard to believe that this time last week I was battling in wind, snow and freezing temperatures.

P1020552Painted Top Shell Calliostoma zizyphinum

P1020556Common Whelk Buccinum Undatum

Coming out onto the beach at the end of Gun Hill (almost opposite Scolt Head) the first thing I noticed was that the contours of the beach had changed since the last time I was here. A few weeks ago the sand and shingle lay in deep grooves and channels, the result of strong tides and winds, but today it was totally flat. Last weekend a stormy north wind must have driven the waves up the beach, levelling the sand down to a uniformly even surface.

P1020549Common Mussel Mytilus edulis

P1020564Common Periwinkle Littorina littorea

As always my eyes drift down to the ground just in front of my feet and I pick up and discard shells and pebbles: a mussel, a razor clam and a cockle, shells that are always found on the beaches around here. Some I put into my pocket. And then I find a very familiar shell – a slipper shell. These shells were a constant in my childhood where I found them in great quantities on the the beaches of the south coast. They look like little shoes, hence their name, and are just the right shape to slip your thumb into. They are quite unusual up here on the North Norfolk coast, but I find another, and another – how odd! Walking along the tideline other strangers turn up: a periwinkle and a small pointed shell that I recognise but can’t name. I slip them in my pocket and head for the dunes to sit in the sun and drink a cup of coffee. Lining the shells up on the sand in front of me I do some very quick line drawings in my sketchbook.

P1020560Slipper Limpet Crepidula fornicata

When I get home I look up the names of the shells I don’t know and I also find out a bit more about where different types of shells are commonly found. Bivalve molluscs have two hinged shells and are generally found on sandy beaches. The wide, open sandy seabed offers no protection from predators so they burrow into the sand to hide. We have hundreds of razor shells, cockles and mussels here and this is obviously the right habitat for them. On the other hand gastropods, which have a single, often spiral shell are more often found on rocky shores where they can hide amongst the seaweed which grows there. My ‘stranger’ shells would normally be found in this habitat and I wonder if the storm last weekend has stirred up the seabed and deposited these strangers here, away from their normal setting?

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I love it when I notice something unusual – these unexpected occurrences are what bring me back here again and again.

 

Little Boxes – Wells-next-the-Sea

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I’ve been waiting for sunny, bright day to photograph some work I made over the Christmas break.  The work is a response to the ‘Little Boxes’ that contained found objects collected at Brisons Veor in Cornwall. These ‘Little Boxes’ hold objects that I found on the beach in Wells over the past few weeks. They aim to evoke one interpretation of that place.

Wells beach is relatively clean, and surprisingly very little rubbish and plastic detritus washes up there. I think there are two possible reasons for this. Firstly, the North Norfolk coast is caught in the elbow of the Wash and is away from the main shipping lanes, consequently less rubbish is created, and secondly, the shallow water creeps in and out slowly over the sands and the waste doesn’t get dumped in quite the same way that rubbish from a big, deep, rolling sea would. You have to look very hard on Wells beach for the usual odds and ends of discarded rope and plastic so unlike the Cornish collection, the Norfolk collection consists of only natural objects. These have been unaltered to highlight their natural beauty.

Each object has been chosen because of it’s texture or shape or some other unusual aspect and the bright sunlight has brought out all their surface qualities.

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Chalk with piddock holes

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Black oyster shell

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Crab claw

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Sea-worn wood

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Crab shell with barnacles

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White oyster shell

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Flint pebble

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Flint with tube worm casts

In Cornwall I made the boxes and then filled them. In this case I collected the objects and then made the boxes to fit the objects. There was no particular reason for this – it just happened that way. The boxes are waxed cotton duck, with a rigid board base and held together with a twist of wire.

 

 

 

 

Brisons Veor – Little Boxes

Before Mary Morris and I went down to Cornwall we set ourselves a small project. It was an activity we knew would be achievable during our time there and, if you follow me on Instagram, you will have seen the posts I put up each day that documented it. The working title of the project is Little Boxes.

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14 Little Boxes on the windowsill at Brisons Veor. The front row was filled by Mary Morris and the back row by me. The headland in the distance, through the murk, is Land’s End.

A couple of weeks before we left for the residency we spent a very convivial afternoon in Mary’s studio, each making seven small, square ceramic containers  – one for every day of the week at Brisons Veor. The idea was simple: to find, each day, one small object to put into a box that either had a significance or represented an idea from the exploration and experience of that day.

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I’ve mentioned before that I often set myself rules, and the rule for this exercise was that the object I picked up had to be within arm’s reach when I stopped to write or draw in my sketchbook. However, I quickly realised that this particular rule created a problem, as many of the ‘things’ were too big to fit into the Little Box. But a problem can turn into an opportunity and in this case I was forced to alter the object in some way in order to fit it in. Deciding ‘what, how and why’, created something that, I think, is more interesting and has more significance than the original unaltered object would have had.

This is what I made:

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Day 1: A ball of string

Dead Monbretia leaves are found all along this coastline at this time of the year. The bulbs are invasive and have colonised large swathes of the cliffs. I picked a handful of dead leaves by the coastguard hut at Cape Cornwall and made 5 metres of string from it. When wound up it made a surprisingly small ball.

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Day 2: A spool of seaweed

A piece of Tangle or Oarweed picked up from the beach at Priest’s Cove. Each frond of seaweed is quite thick, but I cut it into thin strips and wound it around its stem.

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Day 3: A spool of found rope

I sat on the beach at Sennen Cove writing about seaweed, however, there was a shockingly large amount of plastic caught up amongst it. This is sea-worn plastic with two pieces of polypropylene rope that have been unravelled, knotted together and wound around it. Notice the tiny shell that has grown around the rope.

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Day 4: A spool of seaweed

Sea-thong or thong weed and a bit of worn rubber bicycle tyre collected from where I sat on the beach at Porth Leddon.

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Day 5: A twist of rope

More discarded rope bound with linen thread. I especially like the melted bit at one end. This would have been done originally to stop the rope from unravelling. From Porth Leddon.

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Day 6: A book

Another visit to Priest’s Cove. This time I was sitting just above the beach by a row of fisherman’s huts. This piece of rusty metal had broken off from the corrugated roof of one of the huts. It has been bent round to support one of the prints that I spent a couple of afternoons making. The little cut up pile is about 2x1x1 cm.

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Day 7: Cornish slate

The last Little Box contains an object that I haven’t altered. It is a piece of slate collected from a little man-made concavity in the cliff just outside the house at Brisons Veor. It could have originally been a small quarry.  Looking at the boxes on the last day I realised that I wanted the collection to have something in it that spoke of that particular place – something that was the essence of it. This piece of slate comes from the very cliff that the house we stayed in is built into.

We both enjoyed this project. It was easy and quick to do, but nevertheless the process of collecting and making has, for both of us, sparked ideas that may well turn into something more significant. Next time I’ll tell you about one of my ideas …..