Marsh Watercolour Book #1/2020
I have painted some watercolours, folded them into concertina books and bound them with hard covers. They were done in my studio overlooking the marsh just before the lockdown started. I am finding that a lot of the work I am making at the moment is in response to past experience and each of these images is an interpretation drawn from my visual memory. The shapes, lines, spaces and light are a combination of inventiveness and actuality.
Marsh Watercolour Book #2/2020
The writer AS Byatt said, ‘Memories can be polished, like objects taken out, burnished and contemplated’, and indeed we do not record experiences precisely, as in a photograph. Instead we take parts of the experience and reconstruct it rather than retrieve an exact copy, adding feelings and knowledge of other experiences into the mix. Each time we remember, we remember differently.
Marsh Watercolour Book #3/2020
I have discovered that the very act of remembering has enabled me to create a distance from an experience so that the original observations and thoughts have the opportunity to re-emerge from my mind transformed by my imagination (and other past experiences) to make a new and more lively construction of a remembered reality.
Marsh Watercolour Book #5/2020
We are all, of course, distanced from all sorts of experiences at the moment so the opportunity to remember and to reconstruct in order to create something new is very pertinent.
Marsh Watercolour Book #4/2020
These Marsh Watercolour Concertina books have been painted on Saunders Waterford HP watercolour paper, with a black bookcloth cover and I have put them in a simple paper pocket cover for protection. They are 16.5 x 75.5 cm (open) 17 x 10 x 1 cm (closed) and each book is signed on the back with a catalogue number.
I have just put them up for sale on my online shop.