My Iceland collection has expanded and this is what my work table looks like at the moment. I have made some more plaster reliefs, but you will also see that other found objects have crept in.
Flints and oyster shells with holes made from boring sponges collected on the the beach here in Wells have been included in the collection as I start to make connections between the objects found in Iceland and more familiar objects found here on the beach at home. The shape and texture of the Icelandic bone fragments bear more than a passing resemblance to the pieces of broken flint and likewise the small Icelandic volcanic pebbles relate directly to the holed shells.
I make some more plaster reliefs, this time of flints, and as a direct representation they work very well. However, I want something that is more open to interpretation …. something that has been created out of my own imagination and that is able to blur the boundaries between the bone/flint and shell/pebble samples.
In an attempt to better understand the shape and form of the flints and bones I draw them and in doing so I realise that the reliefs don’t do what I want them to do; their bases are too square and uniform, and the pressed forms are incomplete. I want a full 3-d form. So I try something else and enclose a flint protrusion in clay and fill the resulting indentation with plaster.
This small fragment (it’s about 5cm high) could be either bone or stone.
I make some more ambiguous fragments and feel as if they are closer to, but not exactly what I am aiming for. I think it was the producer John Read who said, ‘Art is the expression of the imagination not the imitation of real life’. I am not trying to imitate or to recreate but to make something new and to create new connections. My thinking and making continues!